Threaded Bliss

A Lavender Silk English Gown, 1770-1780

Jonathan Trumbull, Jr. House, August 2012.

This gown was finished in January for our annual English country dance ball, and then I wore it again for our regiment's George Washington Ball a month later.  Both times, I forgot (surprise, surprise!) to give it the "Threaded Bliss" treatment.  Having only military-type events in the spring and summer, I haven't had much of a chance to wear any silk since February, so when we were invited to give a fashion show and lecture at the Jonathan Trumbull, Jr. House a couple of weeks ago, I seized the opportunity and pulled out the gown once again.  Now I'm glad I neglected to do this post earlier, because we were able to get some lovely shots with the Trumbull House's perfect period setting.

The pattern: Draped by me.

Elm City Assembly, January 2012.

Construction details: The gown is entirely hand sewn.  The construction process for this gown is identical to all our other "en fourreau" English gowns, so I won't repeat myself.  If you're interested, check out this earlier post for details.

Back shot.  Pray excuse the skirt rumples; I just stood
up and didn't realize the gown needed to be smoothed so badly!
Jonathan Trumbull, Jr. House, August 2012.

The trim is a simple box-pleated design that accentuates the neckline and ends of the sleeves.  Nothing complicated, but just enough to add a splash of dimension and interest.

Detail of the box-pleated trim at the back of the neckline.

The fabric: A gorgeous lightweight lavender silk taffeta from Burnley and Trowbridge.  This fabric is a dream to wear because it's so light and crisp and just makes me feel pretty!

Jonathan Trumbull, Jr. House, August 2012.

Finishing the look: The skirts of the gown and the petticoat are cut to be worn over a small hoop (the one that was first made to be worn with the sea green cotton gown); this gives the hips just enough fashionable width to make the waist appear a teensy bit smaller, and also helps the skirts poof subtly.  After seeing it in the pictures, I'm thinking that I want a slightly larger one for my next silk gown, just to add a tad bit more emphasis.  Also worn under the gown are a shift, my Diderot stays, and a striped linen underpetticoat.

To accessorize this gown to represent the "good" day wear of an upper-middling-class lady, I added a self-striped cotton voile neck handkerchief, a double-strand pearl necklace secured with a silk satin ribbon, and silver and pearl drop earrings by Janice Erickson Smith.  My cap is a striped sheer linen trimmed with ivory silk taffeta ribbons, the very fine handwork of Mistress Nicole.

Jonathan Trumbull, Jr. House, August 2012.

I also made a breastknot of silk satin ribbon (also from B&T) and paper flowers to give a little dimension to the front of the gown.

A breastknot of silk satin ribbon and paper flowers, which could be worn

either at center front or to one side of the gown's neckline.

Completing the ensemble is a coordinating striped silk gauze covered hat, trimmed in the same lavender silk satin ribbon as the breastknot.  You might recognize this hat from the previous post with the blue chintz jacket and ivory petticoat.  Even though I made the hat to go with this lavender gown, I actually haven't worn the two together yet!

The hat in action, paired with the blue chintz jacket and ivory taffeta petticoat.

Colonial Williamsburg, May 2012.

The hat is inspired by this 1782 print:

"A rich privateer brought safe into port by two first rates," 1782.

Image linked from the Lewis Walpole Library.

As in the print, I used a wide ribbon to create poofs around the crown and for the ties.  The gauze is tacked down to the crown to create the poofs, and then is smoothed over the brim and pulled underneath, finally secured inside, beneath the crown.  The one change I made to the inspiration hat was that the one in the print appears to be have the underside of its brim lined in the same lavender color.  I was going to do this using the silk from my gown, but I ended up having only the tiniest of scraps left.  I opted instead to simply encase the edge of the brim with ivory silk satin ribbon instead, to help secure the gauze and to give the brim a bit more of a finished look.

Silk gauze covered hat, trimmed in silk satin ribbons.

The full flickr set of this project can be viewed here.