Showing posts with label green/ivory silk muff. Show all posts
Showing posts with label green/ivory silk muff. Show all posts

Friday, December 9, 2011

Threaded Bliss

A 1770s Silk Muff

1770s green/ivory silk muff

During the accessories conference at Colonial Williamsburg back in March, I was fortunate enough to be able to take a silk muff workshop led by Janea Whitacre, mistress of the trades of millinery and mantua-making at CW, and her very able and charming young apprentice, Miss Emma.  We had about three and a half hours to talk about the evolution of muff fashion throughout the 18th century, choose our fabric, pattern our muffs, make them, stuff them, and trim them.  Believe it or not, a number of the ladies were able to complete theirs!  I was about 3/4 of the way done by the end of the workshop, and carried my unfinished project home...where it has sat in its same bag in the same spot on the floor since I deposited it there when I got home.  At long last, I've finished it, though - just in time for winter festivities!

The Pattern: After explaining how the shape of muffs changed over the century, Janea gave us the measurements to use to create our desired shapes and sizes.  In the 1770s, muff were slightly more rectangular in shape, while by the 1780s they had become more square-looking.  I opted for a 1770s style, since that's the decade we re-enact the most (and I just personally prefer the way it looks to the later, more boxy style!).

Inspirations: As with hats, there are countless period images of muffs with all sorts of decorative embellishments, from embroidery to ribbon and floral trim to fur to printed portraits.  Like hats, muffs are a place where you can let your creativity run wild - just so long as you don't let it stray outside of period-accurate materials!  Karen's 18th Century Notebook page on muffs includes a very comprehensive listing of images of muffs and links to extant examples.

My own muff is based on one created by the CW milliners.  It was featured, with a matching cloak (so pretty!), in the conference fashion show, and Janea brought it with her as an inspiration to the workshop.  When I decided to change my original floral trim (keep reading for more on that), I went back to the pictures I had taken of Janea's piles and piles of gorgeous examples, and found this and wanted it!  :-)

Construction Details: Janea explained how muffs could be made in two different ways. One is as a single piece, with a silk exterior and silk lining, and the stuffing wedged between the two. The other is to make a separate linen "pillow" tube that, once stuffed, becomes the foundation over which any muff cover can be slipped. I think all but one or two of us in the workshop opted for the second construction method. Who doesn't want an endless number of muff options to switch out with each new outfit? :-)

1770s green/ivory silk muff
Stuffing the linen muff "pillow," over which the silk cover is slipped.

The construction was thus very easy and logical: all you do is create a tube of linen which is stuffed with wool and sewn closed.  Then you create the cover by sewing channels at opposite ends of a rectangular (or square, if you prefer) piece of fabric and inserting ribbon into the channels to drawstring up the ends.  Add the trim, sew the rectangle into a tube, slip it over the "pillow," and you're done.

1770s green/ivory silk muff
The finished muff tube "pillow" (left) and the trimmed cover (right), which is about
to be sewn into a tube that will be slipped over the stuffed linen pillow.

Originally, at the workshop, I had selected a very pretty floral ribbon trim and sewed it in diagonal lines so that it wound around my muff.  On second thought, when I picked the project up again out of the (dusty) bag, I decided I wanted to save that trim for something else, so I picked it all off and pulled out some ivory silk satin ribbon I had in my stash to box-pleat around the ends of the muff.  It's simple, but I really like the way it turned out.

1770s green/ivory silk muff

The most fun part of the workshop was seeing how completely different everyone's muffs ended up being.  Val from Time Traveling in Costume also attended the workshop; be sure to check out her post about her own muff project.  She got a great group shot of us all displaying our muffs at the end of the day.  If anyone else was there and has posted pictures of her finished muff, I'd love to add you to this post!

The Fabric: A green shot ivory silk taffeta, trimmed in cream silk satin ribbon.  The inside pillow is made of a medium-weight linen, stuffed with wool from the sheep at Colonial Williamsburg.  It's quite cozy!

Finishing the Look: I'm in the process of making a new cloak, which will coordinate nicely with this muff.  Stay tuned for more once the weather turns cold enough to frolic in my new accessories!

1770s green/ivory silk muff

Thursday, March 17, 2011

"Costume Accessories: Head to Toe" Colonial Williamsburg/CSA Symposium

Day Four

Muffs, mitts, caps, fringe, cloaks, and other pretties made by the CW milliners.

The lectures having ended Tuesday evening, Wednesday was the designated optional programs bridge-day between the Sunday-Tuesday accessories symposium and the Thursday-Friday conference on the use of costumes in the interpretation of historic sites.  There were a number of costume- and textile-related tours to choose from in the morning, while the afternoon sessions were set aside to attend one of four workshops.

My first program was a behind-the-scenes tour of the costume collection and the new Fashion Accessories from Head to Toe exhibition, let by none other than Linda Baumgarten herself.  Talk about star-struck and the opportunity of a lifetime!  :-)  First, she took us into the costume storage facilities, which house closets full (and I mean FULL) of hanging original gowns and petticoats and formal jackets, with drawers of breeches and waistcoats in between.  Linda had pulled an incredible gown out for us to see, along with a frock coat.  After about fifteen minutes of drooling and sighing, we headed upstairs where Linda gave us an overview of the challenges she faced and the pleasant surprises she encountered in mounting the accessories exhibit.  She explained some curator's techniques to displaying antique items without damaging them, and also shared some of the secrets revealed by the items themselves as she studied them closely prior to mounting them.  What a special treat this tour was!

A fabulous 1800ish bonnet made by the CW milliners that was
featured in the fashion show on Tuesday afternoon.

The second tour I chose was of the textiles storage facility.  Kimberly Smith Ivey, associate curator of textiles and historic interiors, led us around the state-of-the-art room filled with rows upon rows of drawers full of gowns, jackets, aprons, breeches, waistcoats, dolls, samplers, sewing implements and accessories, quilts, bed hangings, chair covers, and rolls of fabrics, along with buttons and jewelry.  For an hour, we got to explore this plethora of treasures.  We divided into several smaller groups, each group heading towards the items in which they were most interested, and from our corner with the gowns and jackets, we periodically heard from elsewhere in the room gasps and squeals and sighs (meanwhile often exuding plenty of our own!).  It was probably the happiest roomful of people I've ever been around!

A velvet-trimmed silk satin muff made by the CW milliners.

After lunch, Ashley headed to a button workshop (which I'll leave to her more capable hands to describe!), while I scurried off to one on silk muffs, led by Janea Whitacre.  Scattered across a table was a pile (oh, glorious pile!) overflowing with muffs, mitts, caps, bonnets, cloaks, mantles, and fringe.  After explaining the evolution of the style and shape of the fashionable muff across the century, we selected our fabric and trims and got to work.  Three and a half hours later, we had all finished or mostly-finished them.  Of course, there being a big difference between finished and mostly finished, I will refrain from sharing my mostly-finished muff until it's completely done.  I selected a pretty springy-minty green silk, perfect for those cool yet bright spring days.  As soon as it's done, I promise to share lots of pictures!

The Spruce Sportsman muff, made by the CW milliners and featured
 in Tuesday's fashion show and in the accessories exhibit video
at the DeWitt Wallace.

A precious miniature muff, measuring only about 4.5".

Today began the "Reconstructed Visitable Past" conference, with a 9 to 5 day chock-full of back-to-back talks.  But that will have to wait until tomorrow!  Two posts in one day is more than enough for exhausted me!